As we tread through the brisker months of the year, it's only natural that one's emotional and mental state can at times become downtrodden and weary, particularly in light of the COVID-19 pandemic that's currently ravaging the globe. Travis Scott switches flows throughout his rapping and autotuned crooning, as he expresses his journey from the basement in a concoction of pure rage. Anchored by an elite lineup of producers, Mike Dean, Dot Da Genius, Plain Pat, Take A Daytrip, and Travis himself, La Flame and CuDi both bring the madness with their individual verses and their distinctive adlibs. Hit-Boy And Travis $cott Get Narcoleptic On ‘Go All Night’. Travis’ strongest intro to date, it encapsulates all the paranoia, angst, pretense, and wild, experimental energy of Travis’ best work. Streaming services can’t seem to stop leaked music from entering their ecosystems, and Travis Scott … Way back hearkens right back to Kid Cudi’s A Kid Named Cudi days, perfectly balancing energetic delivery, full-throated vocalizations, and stinging rhymes that walk the knife’s edge between pointedly complex construction and sing-song simplicity. A fan favorite, “Biebs In The Trap” uses its spacey, digitized beat to make even Nav sound less robotic than usual while amplifying Travis with wildly mixed vocals that give his ad-libs a startling 3D effect. Just when we thought Byredo founder Ben Gorham's collab with Ikea was the most exciting candle news of 2020, enter Travis Scott. Rider music. Where Rodeo starts off with the incredibly iffy “Pornography,” Birds immediately shows off Travis’ growth from the intervening two years by starting things off perfectly with this tremendous-feeling opener. An AI version of rapper Travis Scott named Travis Bott, create by space 150, has released a completely AI generated song based off the music and lyrics of the Houston based rapper. With a bigger, burlier sound than his usual work, the synthesizer orchestra strays away from the haunted house vibes that define Travis’ best songs, but for novelty’s sake, “Lose” is a great showcase of the Houstonian’s versatility and an example of when his willingness to experiment goes right. “Grey” has an interesting sound, slouching and slumping along like a lowrider. Gamer. After waxing poetic about the days of yesteryear amid a flurry of rhyme spills on "Nostalgia, The Drug," the proceedings are closed out with "How To Break Free," which captures its host asking the complex questions life tosses us while providing his own answers on the road to peace and happiness. In what remains one of his most profitable collaborations, Travis Scott's work with Nike makes him around $10 million a year. Flexing Travis is one of the best versions of Travis and the TM88/Cubeatz highlight his and Blac Youngsta’s boasts to powerful effect. The time between this song’s release and the debut of Astroworld was about a year. Travi$ Scott finally gives fans the breakdown on the raging process. Musing, "Hearing sweet words from your lips/And my fingertips linger with the taste of you/It causes tooth decay," Rah-C's experience as a seasoned lyricist is as evident as ever, as his clever quips leave the listener with a bit of food for thought to chew on. “Apple Pie” isn’t a bad song, but it doesn’t particularly stand out, and it has the bad luck to land right at the portion of Rodeo where the similar-sounding songs have begun to blend together. Heavily influenced by 808s And Heartbreak, this trippy interlude from Owl Pharaoh sneaks up on you. Despite originally setting out to find success as a producer, it was his vocal stylings — uniquely catchy ad-libs (“It’s lit!”), a wailing,crooning delivery that both evokes his emotional state and lends further infectiousness to the spooky soundscapes he rocks over, and a genuinely engaging, double-time flow that wavers somewhere between ASAP Rocky punchy cadence and Kid Cudi’s sing-song warbling — that made him a staple of Kanye West’s recording sessions. Quan and Thug are about as potent a combination as you’ll ever find. “Pornography” is an awkward way to start off a debut, with a monologue from label boss T.I. 'Basement Freestyle' ‘Basement Freestyle’ is often overlooked in Travis Scott’s discography but is … In a clip posted to Travis' Instagram, the rapper shows off … That said, Rah-C has just what the doctor ordered, with the newcomer's debut album, An Unsurfaced Melancholy. Lex Luger and Metro Boomin handle duties behind the deck, pairing 808s with jittery synth bleeps. In May 2017, Scott uploaded three songs to SoundCloud —"A Man", "Green and Purple" featuring Playboi Carti, and " Butterfly Effect ". Produced by Rah-C and Identite Crisis in its entirety, the album begins with "Sooner or Later," an introductory cut that doubles as one of the more upbeat salvos on the album. The ladies alternate between verses and background adlibs as they address these very things. If Rodeo had ended on this song, that repeat button wouldn’t just be a given but a requirement. Jazmine Sullivan's Heaux Tales project drops on Friday (Jan. 8). For my money, one of the smartest, most relatable songs in Travis’ catalog. It’s a fine example of what he does well, he just does it better elsewhere in his catalog. Releasing on … We just need something to stand on," says Scott. Putting the two reigning kings of trap rap on a track and letting them run wild for a full seven minutes is nothing less or more than the recipe for a guaranteed hit. 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