The work unfolds in five “orchestral episodes” with evocative titles. 1, Tout un monde lointain & The Shadows of Time. The catalyst was the half-century anniversary of the end of World War II in 1995 and of the discovery of Anne Frank’s diary, and specifically a memory: the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. 2, , ni bien sûr ceux de Rostropovitch lui-même, le créateur, Dutilleux : Tout un monde lointain - Lutoslawski : Concerto pour violoncelle. Dutilleux’s music often presents a sensuousness of texture – a colorful garden of sounds so delicately cultivated that he often brings to mind a latter-day Ravel. His writing for orchestra is, however, completely assured. Dutilleux: Symphony No. Henri Dutilleux - Boston Symphony Orchestra, Seiji Ozawa ‎– The Shadows Of Time Label: Erato ‎– 3984-22830-2 Format: CD, Album Country: France Released: 1998 Genre: Classical. Stream live events, live play-by-play NFL, MLB, NHL, college football, NCAA basketball, and Premier League matches. The 31-year old Henri Dutilleux renounced all of his music written before his Op. Dutilleux calls this central episode the “heart” of the score, on which is written “to Anne Frank and all the children, innocents of the world (1945-1995).” He recounts a stroke of inspiration when he was searching for a “special color in the instrumentation” to contrast with the brass and wind timbres dominating the beginning and heard “some voices coming from a nursery school close to my studio.” The score specifies only “three voices of a child” – singing alternately in solo and together. 1 piano sonata in 1947-48. ', Lots of things have been going right for the Seattle Symphony lately. アンリ・デュティユー(Henri Dutilleux, 1916年 1月22日 - 2013年 5月22日)は、フランスの作曲家。 フランス6人組よりもやや若い世代で、20世紀後半から21世紀初めにかけてのフランスを代表する作曲家の一人。 姓はデュティーユと表記されることも多い。 His 1st Symphony followed in 1951, so it can be considered a piece of his early maturity. Please try again. Les orchestres américains n’ont-ils pas à plusieurs reprises invité Lise de la Salle à jouer en concerto, ce qui n’arrive proprement jamais à Paris ? Meanwhile, his Second Symphony had been commissioned and premiered by the Boston Symphony Orchestra and his work Métaboles, which Dutilleux called ‘a concerto for orchestra’ was premiered by the Cleveland Orchestra. And for all we know, this sound is exactly what the prescient composer had in mind in 1910-13 when he previewed the mad 20th century with these ballets. The Shadows of Time is a somber meditation on loss. An initial trio of recordings offers canonical French works and an eclectic American program, but the pick of the batch is this gorgeous, authoritative collection of atmospheric works by the late French composer Henri Dutilleux, whose moderate modernism and unassuming mastery Mr. Morlot has championed. Play Your Part, support the LA Phil. Among his other works, The Shadows of Time from 1997 commemorated victims of concentration camps. 2 "Le Double" / The Shadows of Time / Métaboles free online. Unable to add item to List. Tracklist . These new releases by the Seattle Symphony under Maestro Morlot are excellent. Dutilleux: Symphony No. Style: Modern. The melody suggests a Near Eastern modality mixed with the spirit of Gregorian chant. --Steve Smith, New York Times, May 2014Prolific on disc during the late 1980s and early '90s, the Seattle Symphony returns to recording with its dynamic young music director, Ludovic Morlot, and a newly launched house label. I'm writing this in the aftermath of the Seattle Symphony Orchestra's June 21, 2014 precise and diamond-shattering propulsion of Stravinsky's gorgeous ballets, under the baton of Ludovic Morlot, though the frisky and cookin' musicians of the SSO could hardly have been held down by a Soviet hammer, let alone a conductor's baton. 2, the Shadows of Time CD ~RESEALED~ 3 - Henri Dutilleux : Symphonie No. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. 1916), the elder statesman of French music today: The Shadows of Time (1997 -- 20'48) This is the superb original recording by the Boston Symphony Orchestra, led by Seiji Ozawa, from March 1998. The recording here is from a live performance in Seattle at Benaroya Hall that really shows off how great this orchestra is, their renewed commitment to contemporary music and the passion that Morlot brings to music from his homeland --Q2 Music Album of the Week for May 12, 2014Prolific on disc during the late 1980s and early '90s, the Seattle Symphony returns to recording with its dynamic young music director, Ludovic Morlot, and a newly launched house label. Great recording--except zero CD or track information, Reviewed in the United States on April 29, 2014. Listen to free internet radio, sports, music, news, talk and podcasts. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. 22 January 1916, Angers – d. 22 May 2013, Paris). At the heart of The Shadows of Time is a movement called "memory of shadows" that includes music for three children's voices - an inspirational idea that came from Dutilleux's … Brief content visible, double tap to read full content. Although only 21 minutes long, the entire piece exudes a concentrated power belying its length, rather like dream time’s ability to subvert the clock’s rational measurement. Give Now, Composed: 1997Length: c. 20 minutesOrchestration: 4 flutes (3rd and 4th = piccolo); 3 oboes; English horn; 2 clarinets; E-flat clarinet; bass clarinet; 3 bassoons; contrabassoon; 4 horns; 4 trumpets; 3 trombones; tuba; timpani; percussion (crotales, glockenspiel, small Chinese gong, marimbaphone, snare drum, suspended cymbals, tam-tams, temple block, tom-toms, triangle, vibraphone, whip, wood chimes); celesta; harp; strings; and three children’s voicesFirst Los Angeles Philharmonic performance: September 30, 2005, Esa-Pekka Salonen conducting. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Henri Dutilleux (b. Dutilleux: Symphony No. It is in four movements, but these do not all conform to traditional types. We work hard to protect your security and privacy. If you wish to add this CD to your iTunes account or Amazon Cloud Player, you will also have zero track information. A brief coda suggests a false resting stop as trumpets bleat with mutes. Their vocalise turns to repetition of the simple phrases: (Why us? One of these items ships sooner than the other. On one level, The Shadows of Time can even read like a symphony in miniature: with a forceful opening, demonic scherzo à la Berlioz, meditative slow movement, and enigmatic finale. At the same time, its alternation of violent, threatening gestures with textures almost withdrawn in their delicacy suggests a fundamental disquiet and sense of doubt that gives an edge to the composer’s gentle humanism and poetry. An untitled interlude links the final two episodes. Written in 1997 The Shadows of Time is a somber meditation on loss. However, the recording appears to lack track information, so, if you are playing this CD in your car, you will not have any track information, for the track or for the recording. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. This site uses cookies to offer you the best possible experience. Vagues de Lumiere 1.15 The Shadows of Time: V. Dominante Bleue? Dutilleux’s music often presents a sensuousness of texture – a colorful garden of sounds so delicately cultivated that he often brings to mind a latter-day Ravel. A Proustian preoccupation with the interplay of memory and time passing also recurs in several works. “Evil Ariel” pits flickering divided strings against spiraling constellations in the winds for a scherzo of malignant energy, of which Ariel – a deformation of the serviceable spirit from Shakespeare’s The Tempest or one of Milton’s named demons – seems to be a herald. The forte's of The Rite of Spring could only be described as a Seattle punk/grunge reading of the score, where the acoustic properties of Benaroya were put to the test, as if the symphony were one massive Fender Strat. This page lists all recordings of The Shadows of Time by Henri Dutilleux (1916-2013). French composer of mostly orchestral, chamber and piano works that have been performed throughout the world. Et qui suit le travail de Ludovic Morlot, né à Lyon en 1974, directeur de l’Orchestre de Seattle depuis 2011 ? Dutilleux, celui qui fait se rejoindre climats baudelairiens et langue musicale héritée des musiques nocturnes du grand compositeur hongrois. Yet they are false starts, and the unforgiving clockwork of the percussion returns, though in more sublimated form, as the entire orchestra tapers out on a repeated C-sharp. Dutilleux, celui qui fait se rejoindre climats baudelairiens et langue musicale héritée des musiques nocturnes du grand compositeur hongrois. Setting the work in motion (“Hours”) is a fatalistic fanfare of brass, punctuated by percussion and strings, tracing a downward fall. The final episode’s indeterminate title (“Dominant Blue?”) is borne out by the faltering rhythms with which mirroring instrumental choirs continue to obsess over variant phrases from the children’s chanting. These thickly clotted lines of descent recur at several crisis points. 1916), the elder statesman of French music today: The Shadows of Time (1997 -- 20'48) This is the superb original recording by the Boston Symphony Orchestra, led by Seiji Ozawa, from March 1998. A must listen for those who wish to discover Dutilleux musical world. An initial trio of recordings offers canonical French works and an eclectic American program, but the pick of the batch is this gorgeous, authoritative collection of atmospheric works by the late French composer Henri Dutilleux, whose moderate modernism and unassuming mastery Mr. Morlot has championed. Henri Dutilleux: The Shadows of Time, for orchestra - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and … Beau disque Dutilleux "made in Seattle", remarquable "Tout un Monde lointain", Demandez à un mélomane un peu âgé : le temps est loin, risque-t-il de vous dire en soupirant, où Charles Munch était en poste à Boston, Paul Paray à Detroit, Pierre Monteux à San Francisco, Pierre Monteux - the Complete Rca Album Collection, . Houles 1.8 Tout Un Monde Lointain: IV. CNN, MSNBC, Fox News Radio, ESPN, BBC, NPR. Eventually the music sinks into the nether regions of the orchestra. Henri Dutilleux : Oeuvres pour orchestre, Vol. HENRI DUTILLEUX: The Shadows of Time for 3 Children's Voices and Orchestra Drawing on Ludovic Morlot’s personal relationship with the great French composer, this disc opens with a virtuosic and sensuous performance of Symphony No. Orchestre saisi par l’extase (« Miroirs »), violoncelle qui met en valeur le contenu expressif sans pour autant tirer l’œuvre vers un faux concerto romantique : une version qui marque. item 3 Henri Dutilleux : Symphonie No. Find many great new & used options and get the best deals for Dutilleux: Symphony No. 16 but also refers to the recognisably open-ended nature of Dutilleux’s composition. The opening passacaglia movement captures all of this excitement as it progresses from barely audible string pizzicato to a massive swirling climax and then quickly fades off into the distance.Tout un monde lointain was written for Mstislav Rostropovich and performed here by the excellent French cellist, Xavier Phillips. The interlude and “Waves of Light” episode move slowly up from the lower strings into the piquant winds, while the dominance of G-sharp verges on the obsessive. There is a feeling that not a single note is out of place, and that the Symphony is unfolding in the real world exactly as Dutilleux imagined it. Help others learn more about this product by uploading a video! The symphony passed that test with flying colors, totally shredding without compromising the complexity and delicacy of the interrelationships Stravinsky weaves. The Seattle Symphony intends to record the complete orchestral works of Dutilleux on their new label and they begin here with his Symphony No. This WEA/Elatus disc brings together three excellent recordings of orchestral works by Henri Dutilleux (b. Miroirs 1.9 Tout Un Monde Lointain: V. Hymne 1.10 The Shadows of Time: I. Les Heures 1.11 The Shadows of Time: II. Your belief in the power of music to heal and transform makes our work possible. Reviewed in the United States on May 25, 2015. Morlot and SSO Bring Honor to and Fine Peformances of Henri Dutilleux (1916-2013), Reviewed in the United States on June 22, 2014. Dutilleux’s Violin Concerto is an unhinged exploration of growth and regeneration, while the thrilling, experimental Second Symphony draws from the Baroque concerto grosso tradition. Please try again. The trigger to the composition was ticked off in 1995, on the half-century anniversary of the end of WWII and the discovery of the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. Henri Dutilleux: The Shadows of Time, for 3 children's voices and orchestra - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. Our payment security system encrypts your information during transmission. © 2021 Los Angeles Philharmonic Association. It is Morlot's style to incorporate this sense of 20th/21st century music, electronic and grunge into his approach, but it wouldn't work so well if these impulses and passions didn't already reside in the hearts, fingers, lips, lungs and souls of the SSO's fine players. Memoire Des Ombres 1.13 The Shadows of Time: Interlude 1.14 The Shadows of Time: IV. Dutilleux himself actually said that Phillips, "fully owns this work and evokes the very essence of its title." Free shipping for many products! The catalyst was the half-century anniversary of the end of World War II in 1995 and of the … Composed between The Shadows of Time (1997) and Sur le même accord (2002), Pièce sans titre « Muss es sein? Why the star [yellow Star of David]?). ¿Hablas español? Metaboles - Violin Concerto L'arbre Des Songes. Editors’ Notes In this collection of ominous and brilliant large-scale works, Ludovic Morlot and the dynamic Seattle Symphony Orchestra unravel the French composer’s meticulous orchestrations. C’était aussi l’époque, pourrait-il bien ajouter, où on s’intéressait outre Atlantique à notre belle musique française ! La troisième et dernière œuvre au programme est The shadows of Time (1995-97), une œuvre où les « ombres » sont celles de la seconde Guerre mondiale et où les voix d’enfants sont celles des enfants juifs exterminés (« Pourquoi nous ? All Rights Reserved. --Steve Smith, New York Times, May 2014. Morlot and the Seattle Symphony speak Dutilleux's language and Phillips is the reference on record for Tout un Monde Lointain. The arrival of a great new music director, Ludovic Morlot, who loves new music, a new commission that won the 2014 Pulitzer Prize and now they have launched their own record label with three releases focused largely on contemporary French and American music.Their freshman release is devoted to the music of the late French icon Henri Dutilleux (1916-2013). A subtle discipline pervades the music of Henri Dutilleux. This meetup produced one of the best SSO performances I've heard in 20+ years of concerts...and hey, I was already a fan. , que de trouver la beauté de la ligne, la plénitude sonore et la caractérisation à peu près idéales avec Xavier Phillips (et parfaitement restituées qui plus est). 1 his Piano Sonata (1946–1948), written for the pianist Geneviève Joy, whom he married in 1946. A temple block marks the relentless tread of time with banal tenacity. Your recently viewed items and featured recommendations, Select the department you want to search in, $17.26 Shipping & Import Fees Deposit to Malaysia. Cela tombe bien pour ceux qui n’ont pas la chance de visiter souvent cette grande et intéressante ville septentrionale de la Côte Ouest : le dit orchestre vient de créer, après d’autres, son propre label ; et on peut retenir, entre autres parutions. Henri Dutilleux (1916-2013) was the outstanding French composer of recent decades, despite produced barely a dozen major compositions in a six-plus decade career. This WEA/Elatus disc brings together three excellent recordings of orchestral works by Henri Dutilleux (b. He has an affinity for the Flemish artists of the Northern Renaissance, composing with a shared sense of proud craftsmanship. Ariel Malefique 1.12 The Shadows of Time: III. There was an error retrieving your Wish Lists. 1; Tout Un Monde Lointain; The Shadows of Time - Xavier Phillips, Ludovic Morlot, Seattle Symphony Orchestra on AllMusic - 2014 - The orchestral music of Henri Dutilleux is noted… Visita nuestra página web en español. The composer reportedly tosses out a large amount of material in an attempt to mold as perfectly as he can the modest number of works he has published throughout a lengthy career. Dutilleux: Symphony no 1, Tout un Monde Lointain, The Shadows of Time / Phillips, Morlot Dutilleux Release Date: 04/29/2014 Label: Seattle Symphony Catalog #: 1001 Spars Code: n/a Composer: Henri Dutilleux Performer: Xavier Phillips, Andrew Torgelson, Kepler Swanson, Benjamin Richardson Listen to Henri Dutilleux Radio featuring songs from Symphonie no. The touching directness here contrasts with the menacing moods elsewhere in the score. 1 is an early work and the composer's first piece for orchestra. It also analyzes reviews to verify trustworthiness. Find album reviews, stream songs, credits and award information for Dutilleux: Symphony No. The need for consolation is urgent, as signaled by the solo trumpet’s and trombone’s attempts to take lyrical flight. Dutilleux numbered as Op. , ce disque entièrement consacré au récemment disparu (le 22 mai 2013), mais toujours aussi fêté Henri Dutilleux. 1 - Tout un monde lointain - The Shadows of Time, an album by Henri Dutilleux, Xavier Phillips, Ludovic Morlot on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. The Shadows of Time: III. Reviewed in the United States on November 16, 2014. Mr. Dutilleux studied counterpoint, harmony and piano with Victor Gallois at the Conservatoire à rayonnement régional de Douai, where he graduated in 1933. 1; Tout Un Monde Lointain; The Shadows of Time (CD, Apr-2014, Seattle Symphony (Label)) at the best online prices at eBay! Memoire des ombres (Memory of Shadows) by Seattle Symphony - Topic. Cellist Xavier Phillips' interpretation of Tout un monde lointain was praised by the composer, who remarked, '(he) fully owns this work and evokes the very essence of its title. Henri Dutilleux, Hans Graf, Orchestre National Bordeaux Aquitaine: Henri Dutilleux, Hans Graf, Orchestre National Bordeaux Aquitaine - Orchestral Works I ‎ (CD, Album, RE) Arte Nova Classics: ANO 807860: US: 2005: Sell This Version Full content visible, double tap to read brief content. For details on how we use cookies, see our. Great recording! There are several cadenza-like passages in this five-movement work, all of which are truly amazing in their beauty and virtuosity, but again, it's really the ingenious use of the orchestra to color, punctuate, highlight and occasionally juxtapose the solo cello line that makes this piece so impressive.Ludovic Morlot first met Henri Dutilleux in Boston in 2001 while the Boston Symphony was rehearsing The Shadows of Time (a work they commissioned). In Petrushka, the background woodwinds and strings maintained a texture and rhythm one would expect from Steve Reich tape loops, not early 20th century compositions. There's a problem loading this menu right now. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Reviewed in the United States on May 19, 2014. 4:53. Dutilleux later wrote Mystère de l'Instant (for cymbalum, string orchestra and percussions, 1989), Les Citations (for oboe, harpsichord, double bass and percussion, 1991), The Shadows of Time (for orchestra and children voices, 1997), Slava's Fanfare (for Mstislav Rostropovich 's 70 th birthday, 1997) and Sur le Même Accord (for violin and orchestra, 2002 - dedicated to Anne-Sophie Mutter). 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